From Financial Times, an interesting piece on David Foster Wallace and his posthumous book, The Pale King. The introductory paragraph of the article:
One measure of a great fiction writer is the ability – possessed by very few – to bend reality, to seem to mould the world into shapes you have created. When David Foster Wallace hanged himself on the porch of his house in Claremont, California, on September 12 2008, he set in motion a chain of events that has come to seem like one of his own sprawling, multistranded fictions, a story whose central image is the transmutation of a much-loved living writer into that bogeyman of the literary canon, the Dead White Male.
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