By Tim Parks at The New York Review of Books. His opening:
Is the novel a space of intense engagement with the world, of risk and adventure? Or is it a place of refuge, of hanging back from life? The answer will be all too easy if we are living in a country that does not allow certain stories to be told. For Solzhenitsyn writing novels was indeed a serious risk. But in the West?
In my last piece in this space I considered the idea that our personalities are formed in communities of origin where one particular polarity of values or qualities tends to dominate—fear or courage, winning or losing, belonging or not belonging, good or evil. As each person seeks to stake out a position for himself in his community and later in the world outside, it will be the position he or she assumes in relation to that polarity that will be felt as the most defining and any problems in establishing such a position (am I a strong person or a weak one, am I part of the group or not?) will be experienced as especially troubling.
Now I want to toss out a provocation: that in the world of literature there is a predominance of people whose approach to life is structured around issues of fear and courage and who find it difficult to find a stable position in relation to those values.
True, or not? Mr. Parks gives us some excellent examples in support of his “provocation.”
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